Author: Helen Sanderson White

Songwriter, artist, writer and music teacher (singing, piano and music theory) from Buckinghamshire, UK.

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Questions? Oh I’ve got lots of them…

Do you seek an answer, do you miss a piece?

A few weeks ago I did my first concert after a long break. It was nine months since my previous gig and it felt strange to be preparing to perform again. Although, having sung in public since I was three years old, it was like greeting an old friend again. Even life punctuated by music must include periods of rest if the sound is to be of quality. Preparing for this concert was a real journey, I went through folder after folder of material looking for songs to perform. I started with rather a small list but by the end of the week, I had far more material than I had bargained for.

One of the songs that was really popular at the concert was Do You Seek An Answer from At Second Glance. It raised quite a reaction from the audience that was unanimous: life brings us more questions than answers. I wrote that song in 2008 in a period of my life that brought many questions as I watched both friends, family and myself go through difficult times. Prayers that were either unanswered or answered in a way that wasn’t expected, hopes dashed and resurrected, and situations that seemed unfair or unpredictable. Experience tells me that God allows us to walk through these seasons of unanswered questions to help our faith grow. He is far more interested in a relationship with us, than answering a shopping list of needs. It’s not that he doesn’t want to meet those needs (and in some way he always does), it’s that he wants us to get to know him and for our character to grow to be more like him. It’s the waiting with expectancy, the dwelling on his word and the realisation that he wants good things for us that brings us in line with his character and will. If we wait for God and watch him, we experience peace, hope, strength and God’s vision for the future. When we are anxious, we’re exhibiting the symptoms of mistrust and attempting to carry the situation in our own hands.

Where there’s hope, there’s peace…

A few days ago I was watching my son walk down the road to school. His gait always entertains me, it’s filled with joy and fun as he gallops off in every direction. He’s at that age where he has no inhibitions. On this particular day he was enamoured with the blossom: “look mum, blossom snow”. He danced under a tree that was shedding is blossom and in that moment, I realised why I love his little gallop so much: it is full of hope and expectancy. There he was, dancing in the petals enjoying spring. Maybe that’s how we should be during these times of questions and no answers, expectant and full of hope. Happy to accept that God will move when he is ready, holding onto the peace that only he can give.  We’re not always meant to know the answers, but to trust that everything will come good in the end.

When we have faith then we’re strong…

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When I woke up yesterday, it was just a normal day. I got the kids ready for school, dropped them off and then drove to work. Work followed by tea, homework, baths, bedtime, piano teaching and THEN… by the end of the day I had released a new song. Yes that’s right, I just randomly released a single spontaneously, on a whim. That’s one of the joys of being an independent artist (believe me there aren’t many, but that is definitely a good thing).

Over the last two years, people have asked me to release some of my demos and live music so that they can hear how the process works. It’s funny, as artists, we often think that people always want the finished product; however, it seems that people like to to see what goes on behind the scenes. There’s something edgy and exciting about hearing a rough demo or a live performance. You can feel the energy and emotion that the writer originally intended, and hear how the song developed. Often the demo sounds vastly different than the actual song that is finally released.  The reaction to Worn Out Shoes, a song I wrote with Adam Overton, was overwhelming. Despite the rawness of this recording, (I laugh in it and Adam apologises!), people went mad over it.

With this in mind, I’ve decided to release an EP called Sketchbook:The Demos which will be released later this year. The first single from this project is What Am I Meant To Do With This Love? You may remember that I recorded a video blog about this song in November 2015; it took me ten and a half years to write this song! Sounds weird but in artistic terms that’s normal. The amount of time and maturity needed to process the topic and create something you’re proud of can be a long event.

Releasing this single is a real kick up the arse for me. In March last year, I announced that I was pulling out of the music industry due to the fact that people stopped sodding well paying me. As romantic as it sounds, teaching music and making music for free ain’t gonna to happen: I have two kids and a mortgage. I have managed to partially to stay in the music on a part-time basis, however the threats of non-payment continue and recently an organisation cut my pay by 20 per cent and backdated it by four months. The arts are in big trouble. Only today I had a text from a friend in the arts industry to say that she was made redundant on the spot just two days before.

I’ve spent decades trying to make good music. There were times where I felt that I had sold my soul to do that. As soon as organisations become involved with art, you lose your baby in both good and bad ways. The good being that many hands can make a song or the bad way, can mean that your music gets wrecked. I couldn’t handle being told what to write about anymore. I’ve never been able to fit into the traditional mould of “Christian Artist”, I consider myself to be an artist who happens to be a Christian. That’s not to say that my faith doesn’t inform and influence my art, however I feel it’s my calling to write on wider topics and explore what God wants to say. So what I’m very politely saying is… this is me. Deal with it!

So enjoy my spontaneity, warts and all recording! Check out my new song: What Am I Meant To Do With This Love? and support my art. I’d love to hear from you about my work, you can contact me here.

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gmOn Christmas Day, the last thing I wanted to hear was that George Michael had died. In a year where we have lost so many well loved and exciting musicians, this seemed like the last straw. It’s no secret that I was a massive Wham fan when I was growing up, and that I followed his solo career closely. It’s taken me awhile to write a tribute to him, mainly because I just needed to go off and be a miserable git about the whole thing for awhile. My musings have led me to this  realisation though: the press have often portrayed his life as tragic yet over the years I’ve garnered hope from his watching his life and career.

In the last month, I’ve pondered on what George’s legacy might be for artists and music makers in general. His artistic progression from bubblegum pop to jazz and dance, shows his ability to compose without limitations. I have wondered that if he had not died, where his art would take him next. Over the years I’ve had many an industry professional struggle with the fact that I produce music from a variety of genres; to them it’s not marketable and they “can’t work out who I am”, but in George’s case, it was his strength and give his career and work depth and credibility. Surely we want to see the artists we love grow and develop? So if George can do this, there’s possibility for the rest of us.

His courage and tenacity were demonstrated during the early 1990s, when he fought an industry that treated him unfairly. He stood up for what he believed in and was prepared to see it through whatever the consequences. It was a classic case of art and business colliding; where there is talent, there are people who want to capitalise on it. Though he did not win his court case, a precedent was set that encouraged other artists to speak out in a difficult industry where “fairness” isn’t high in the agenda. Through all of this he kept going. Even the incident in a Beverly Hills toilet didn’t hold him back; he turned a faux pas into a hit record.

After his death, we have also learnt of George’s spiritual development and philanthropy. For years I prayed that he would have an encounter with Jesus, and in the last few weeks we have learnt that he was in regular contact with Christians and that they would pray with him before shows. His financial generosity has shown us that he loved to help others and see them fulfil their dreams. He understood the responsibility that comes with wealth and the opportunities it creates to change lives. In the short time since his death, we have learnt more about George Michael as a person that we had in the previous thirty years.

I’m so glad that I had the opportunity of seeing George live in November 2006 at Earls Court on the Twenty Five Live tour. I discovered that his live performance was far greater than his recorded performances and that despite his protestations that he is not a natural performer, his performance was in fact mesmerising. Though George was generally shy of public life, and admitted that he lacked confidence about his music, his legacy proves that he was a man who grew and matured creatively, spiritually and emotionally. If we can learn anything from George’s life, it’s that we should throw off the past and keep moving forward, after all, it’s something that he did time and time again. Setbacks and knocks, don’t cripple us, they help to reinvent who we are and make us stronger.

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screen-shot-2016-10-14-at-22-20-42Well here’s something I thought I wouldn’t say for awhile…

To listen to my new song with Adam Overton, Worn Out Shoes, click here.

One thing about moving house is that forces you to get through all your things and have a clear out. I’ve been doing the same with my songwriting and music material recently. I was going through some files on my computer when I found this song that I wrote with Adam Overton on 21st November 2014. It was during my time of living in Oxford and part of great period of songwriting and composing, most of which I haven’t released (yet!). This a rough, live recording that we took at the end of our songwriting session; not bad for a morning’s work!

The song is called “Worn Out Shoes” and very much reflected the our life journeys at the time. One of the most exciting things about songwriting, is the first time you record and capture the song and listen back to your efforts. You know instantly whether it’s going to work or not. Two years on I still love this song, even though we didn’t quite know where we were going with it when we were recording it, there’s something about the melody, harmonies and rawness of the performance that is magical. Enjoy the live experience of capturing a newly written song…

Adam Overton – vocals and piano
Helen Sanderson-White – vocals

Words and music by Adam Overton and Helen Sanderson-White. Copyright 2014 Adam Overton and Helen Sanderson-White.

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This is an article that I wrote for a magazine back in January 2012. It was never published, so rather than waste it, I thought I would publish it here…

DustyThere’s always great excitement in my house over the latest remastered album. Even though I may already own the album in a different format, I will rush out to buy the new edition and run home expectantly to enjoy the pure, fresh, clean sound. For those of you not in the in the know, in a nutshell “mastering” is the process of removing any unwanted noise from a recording and making all the tracks the same level of volume and equalisation. The days of a crackly record or the sound of the musician or singer turning the page on the recording are long gone. Mastering is process of refinement and attention to detail, often resulting in the mastering engineer going over the project again and again.  For one of my projects I sat in the studio with the mastering engineer as he poured over the material; he could hear things that I couldn’t, such as the sound me knocking the music stand during the vocal recording. A tiny, small sound but it could have spoiled the enjoyment of the song. There were other elements we decided to keep in the recording to keep it authentic and real; less perfect more accessible. A live, unfettered element to the music helps build rapport with the audience.

This got me thinking about way life refines us. The challenges of life can leave us with scars and wounds. Little hurts that we pick up and carry along the way can allow us to become blemished and blinkered, and will ultimately hinder us and lead us away from the person that God wants us to be.

The process of healing and letting go of the past is very much like being “remastered”. As we hand over our emotional wounds to God, he wipes away the scar from our life recording. The process of forgiveness allows us to be refined and become pleasing before God. The actual action of believing that God can cleanse us leads to healing and restoration. The faith of the Centurion in Matthew 8 is testament to the action of “believing” that God wants us to be whole. He didn’t even feel worthy to have Jesus in his house, yet he knew that Jesus could wipe away suffering by one word. And just with a touch a button the sound of me knocking music stand was wiped from the recording…

But what about the hurts that continually plague us? Does this mean that we healed? These are the wounds that God wants to use for his glory. The healing is continuous and a constant reminder. In mastering terms, these are the sounds and noises that the engineer chooses to leave in the recording. Although God heals these hurts, he then provides us with opportunities to show to others our humanity. I had an experience a few years ago at work that really knocked my confidence, not just in my musical ability but also as a person. It affected every part of my life and made me question my worth. It took me a long time to allow God to heal my wounds, and every day I still have to ask for his help with my confidence. But what I have found is that it is in our weakness where His glory is most visible; as we turn to God for help we become more like him. In 2 Corinthians 12:9 Paul tells us that God is perfectly able to use us in our weakness, “My grace is sufficient for you, for my power is made perfect in weakness.” It’s these weaknesses that make us real and give us the ability to help other people who are going through the same situation. These are the noises that God keeps in our life recording. They help to shape us and build our relationship with Him.

Although I enjoyed my remastered album, I bet there are still quite a few sound impurities that I can’t hear on the recording. There will always be some sounds that shouldn’t be there and other noises that make the track real and interesting. That’s the reality of life; there will always be something that we need to leave with God for His attention. We’re not ready for perfection yet, but we are working our way towards eternity with God when we will be truly remastered.

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Helen sunDo you remember when Mike and the Mechanics sang Over My Shoulder? I used to sing along to that song in bedroom, standing on my bed, yelling into a hairbrush. I was eighteen at the time. Twenty one years on, nothing has changed, except now I repeat the same performance with my eight year daughter. One the sad things about the song is that it is full of regret and hankering after the past. I was driving to work the other day when this song came on the radio and it got me thinking the consequences of looking back when we should be concentrating on the future. At the destruction of Sodom and Gomorrah, Lot’s wife looked back and she turned into a pillar of salt. She was told not to, but a fleeting moment of curiosity ended her life. I don’t do regret, it’s a lens that distorts the reality of the future. It leads to nothing and makes us focus on our failures.

If we constantly have our eyes on the rear view mirror, we repeat the cycle of who we were and not what we could become. Time allows to move forward but never back. We are given a gift of moving  forward and it’s up to us to choose how we react. We can meet the future with hope and expectation or with fear and sadness.  Even when we pass through seasons that are not what we want, every day moves us closer to something much better… even when we don’t feel that way. When Alanis Morissette sang “the only way out is through”, she hit the nail on the head. Sometimes we have to grit our teeth and believe that there are better things on the other side of the season.

A few months ago I hit a wall with the whole music thing. Everything I had built up came crashing down and try as I might I could not rebuild it. Truth be told, I was too knackered and broken to fix it. Years of being a freelancer, performer, teacher, composer and everything else had worn me down. I kept looking in the rear view mirror and what I had lost and wondering whether there was any point continuing in music. But the law of life is that as something dies, something else is born and new shoots begin to sprout. Things are already moving on and I’m getting back some of the music opportunities that I lost a long time ago. I have opportunity to reinvent my music and in turn myself. Life constantly evolves and we should take every opportunity to grow and develop.

If there’s one thing I’ve learnt it’s don’t look back over your shoulder, face the future and reinvent yourself. Reinvent yourself…

 

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IMG_2106We all assume artists will go on forever, that the muse will constantly demand some creative output. However, a few days ago I read a quote from Carole King stating that she no longer writes songs and prefers to write novels instead. I wasn’t shocked but I was intrigued; she claims that she feels that she’s just writing about the same topics over and over again. Notably she hasn’t stopped being creative, just channelled it into a new form. King isn’t the first musician to do this and she won’t be the last, but it can be hard for fans to understand why their favourite artist no longer wants to create in the same way. This got me thinking about seasons and how life changes and evolves…

Well it turns out the that The Byrds were right, “There is a season… And a time to every purpose under heaven.” Some people love change, while others hate it. Change often helps us to refocus and try something new; what seems unwelcome can actually be the making of us. Who knows if Carole King is the next big novelist? Only time will tell…

Seasons are necessary for shaping our character and making us more robust. Without challenges and successes, we wouldn’t know what we are capable of or how strong we are. What’s meant to throw us can often be the making of us. Seasons also bring variety and colour into our lives; without it, life would always be the same.  One thing we can be sure of though, is that no season lasts forever. If you’re in a difficult situation, rest assured that it’s not forever, things will change and improve. What I admired about Carole King is that when she faced a wall in her creativity, she found a way to climb over it and start something new. She hasn’t wasted her talent, just shifted her focus. And of course, she is still touring and delivering stonking shows.

It’s knowing how to respond to change that dictates how successfully we will navigate the mountain high and low valley. The composer Aaron Copland retired from composing when his health started declining. He gracefully bowed out on a high and also went on to write a two volume autobiography with help from another writer.  Failing health did not stop him! So next time the season changes whether it is for better or worse, find a way to be positive and find a route through. You may find you’ve got hidden talents! The the show isn’t over until the fat lady sings!