As some of you know, I have been joining in with Jazz Community Church’s online worship throughout the pandemic. As well as getting to know a lovely lunch of talented, creative people, this has lead to some opportunities to arrange and compose for the church which has taken my work in a different direction. I’ve also enjoyed the jazz listening sessions on Zoom which have had listeners from across the world joining in.
Over the last year, JCC have been cultivating a new vision for the church as it emerges from lockdown. I was invited to take part in helping to discern the way forward with a new venture to create a platform for releasing new music. This will be jazz arrangements and recordings of some of their music which will resource the wider church. A really exciting project and I’m looking forward to seeing what the Lord does through this.
Anyway, the exciting news is that I’m now a trustee of the church! After some praying and thinking, and some voting in from the church members, I’m now on the trustee team and preparing to get stuck in. It’s a great honour to be asked and a privilege to serve a thriving creative Christian community. I’m looking forward to seeing where we go next!
Here’s another instrumental I composed for Jazz Community Church for the reading Mark 15:21-29 for the online Good Friday service on 1 April 2021 (that’s me reading the passage too). Thanks to Gunter Hauser for mixing the track to Adam Sanders for creating a video.
Instrumental written & performed by Helen Sanderson-White. Copyright 2021 music by Helen Sanderson-White.
Last week I was interviewed by Victoria Park Baptist Church in Bristol about my song Where Are You God? This was used as part of their online church service and helped to inspire their prayers for the coming week. They asked me some deep, soul searching questions such as “do you think any good can come out the pandemic?” and we explored my reasons for being so honest with how I felt about the current global crisis. You can see the interview below.
“No singing, woodwind or brass instruments…” For me, that statement was one of the saddest things I have read in awhile. The public playing of woodwind, brass and vocal performances are now banned for the foreseeable future. A wave of emotions followed this, from grief to anger and then disbelief yet in reality I knew it was coming. This affects many areas of my life from teaching music, performing and leading worship at church. Having to explain to my children that they won’t be leading worship at church and also to my daughter that she won’t be able to play the flute at school for awhile was not easy and their questions of “how long will this last?’ have been difficult to answer. COVID-19 has affected us all in so many ways, personal losses great and small, lifestyle changes, family tragedies and an uncertain employment horizon.
However, the wonders of technology have allowed us to find a way through. Though we may not want to continue to teach, produce music or worship online forever, the internet has provided a way to survive and move forward in this season. We have had to reinvent ourselves and reinvent how we do things. Nothing has stayed the same. By migrating to the internet, we have not only boosted morale for regular viewers but also attracted new audiences for our artistic endeavours. Previous situations in history have lead to an incubation period in the artistic community; as everything gets driven underground a reinvention occurs. As we emerge from lockdown, we can look forward to an explosion of creativity in all areas of life. And hopefully the public will greet the artistic community with enthusiasm. Maybe there will be more respect for the arts as people realise what they have lost. After all, Joni Mitchell sang “Don’t it always seem to go, that you don’t know what you’ve got til its gone”.
And as for the singing, woodwind and brass playing… The time will come when we can all perform in public again. There will be an opportune, kairos moment when we are released to do what we do best and everything falls into place.
A few weeks ago I went to see the Amazing Grace film about the recording of the famous Aretha Franklin gospel album. Filmed and recorded in 1972, it is the only gospel recording that Aretha made after becoming a Grammy Award winner. Granted there are recordings of her leading worship as a teenager at her father’s Baptist church, but this is the only album she made with a Christian emphasis in her professional singing career. As a star she often talked her of faith in God and how it underpinned her life, let alone her career.
One of the issues that has distressed me over the years, is the constant criticism from some Christians who declare that she turned her back on God and the church in order to follow a musical path. My own experience is that the church often tries to keep musicians and artists within its walls should they try and do something that would lead them astray and destroy the reputation of the faith. Yet musicians and artists are visionaries who hear and see what God has placed within them. Aretha’s journey wasn’t so much about walking out of the church, but more about being sent by God into an industry that needed him. She was often described as shy and quiet, yet when she opened her mouth the passion and conviction poured out through her singing, a talent and drive that come from the strength of something much greater than her.
This album celebrates Aretha’s personal testimony of her journey through a difficult life. A single mother by the time she was 13 years old, divorces, an abusive home life and the back drop of slavery and the civil rights movement all led her into a deeper relationship with God. However, while some Christians decry her fame and status as ungodly, there’s also the possibility that God put her into that position so that he could use her to help others. Aretha’s Amazing Grace album is the best selling gospel album of all time, beating her gospel rivals. Not bad for someone who made their name as a soul singer.
What is also interesting about this album is the rawness of the occasion compared to other recordings of that era. It is reported that Aretha wanted to capture live worship as she knew it in her own church and present it to a wider audience who had no church background. The album allows us to hear Christians worshipping openly in a Baptist church in Los Angeles with a small congregation of both believers and non-believers. This album wasn’t about creating a studio atmosphere with great musical prowess, but about opening a window on praise and adoration of the Lord for those who had never experienced it. Aretha displays a dedication to take the church and God’s love out to the world rather than to wait for people broach the church door tentatively. As Christians, we are asked to take the message of God to our mission field, Aretha just does on a much grander scale using her status and platform to spread the gospel of Jesus. What is notable is that on the second night of the recording, the congregation doubled in size as word spread about the “free” Aretha concert. Even Mick Jagger makes an appearance in the crowd.
However, it isn’t just this album which makes Aretha’s legacy so unique. She was known for singing about women’s rights and independence, performing strong and powerful lyrics that women across the world identified with. Many of her songs became anthems for change and breakthrough; we’re all familiar with Respect and Sisters Are Doin’ It For Themselves and the powerful message that pervades these performances.
While the some factions of the church may be mourning the loss of musicians who follow a different path, others are valuing the mission work that they are doing. The music business is one of the most uncharted industries when it comes to Christian missionaries. Aretha’s entry into this world meant the gospel was spread further. I’m not suggesting that all church musicians and artists should up and leave, more that the church should recognise their call and prophethood into an area that needs light and hope. Artists and musicians are called to carry the very heart of God into a world that needs help and this includes the entertainment industries.
I know the church feels the need to protect creatives from sex, drugs and rock n roll, however in doing so, sometimes it stops people from fully fulfilling their calling. There needs to be an element of trust that God knows what he is doing. I’ve often been criticised for writing secular songs, however I do believe that this is what God has called me to do. One wonders if the church lets down artists, such as Aretha Franklin, by not supporting them more. Perhaps less stars would go off the rails if the church walked with them through their musical careers. I think what we can glean from Aretha’s life is that God used her powerfully and that her music touches the lives listeners around the world. Music is more than worship, some songs heal by the fact that we identify with the pain, others uplift when we feel down, or build community when we all sing together. Music has more than one role in life.
Perhaps it is time for the church to let more creative people go and do what they do best and reap the harvest of music and art that comes from it. We’re not walking out of church, but walking into what God has called us to do.