A few weeks ago I went to see the Amazing Grace film about the recording of the famous Aretha Franklin gospel album. Filmed and recorded in 1972, it is the only gospel recording that Aretha made after becoming a Grammy Award winner. Granted there are recordings of her leading worship as a teenager at her father’s Baptist church, but this is the only album she made with a Christian emphasis in her professional singing career. As a star she often talked her of faith in God and how it underpinned her life, let alone her career.

One of the issues that has distressed me over the years, is the constant criticism from some Christians who declare that she turned her back on God and the church in order to follow a musical path. My own experience is that the church often tries to keep musicians and artists within its walls should they try and do something that would lead them astray and destroy the reputation of the faith. Yet musicians and artists are visionaries who hear and see what God has placed within them. Aretha’s journey wasn’t so much about walking out of the church, but more about being sent by God into an industry that needed him. She was often described as shy and quiet, yet when she opened her mouth the passion and conviction poured out through her singing, a talent and drive that come from the strength of something much greater than her.  

This album celebrates Aretha’s personal testimony of her journey through a difficult life. A single mother by the time she was 13 years old, divorces, an abusive home life and the back drop of slavery and the civil rights movement all led her into a deeper relationship with God. However, while some Christians decry her fame and status as ungodly, there’s also the possibility that God put her into that position so that he could use her to help others. Aretha’s Amazing Grace album is the best selling gospel album of all time, beating her gospel rivals. Not bad for someone who made their name as a soul singer. 

What is also interesting about this album is the rawness of the occasion compared to other recordings of that era. It is reported that Aretha wanted to capture live worship as she knew it in her own church and present it to a wider audience who had no church background. The album allows us to hear Christians worshipping openly in a Baptist church in Los Angeles with a small congregation of both believers and non-believers. This album wasn’t about creating a studio atmosphere with great musical prowess, but about opening a window on praise and adoration of the Lord for those who had never experienced it. Aretha displays a dedication to take the church and God’s love out to the world rather than to wait for people broach the church door tentatively. As Christians, we are asked to take the message of God to our mission field, Aretha just does on a much grander scale using her status and platform to spread the gospel of Jesus. What is notable is that on the second night of the recording, the congregation doubled in size as word spread about the “free” Aretha concert. Even Mick Jagger makes an appearance in the crowd.

However, it isn’t just this album which makes Aretha’s legacy so unique. She was known for singing about women’s rights and independence, performing strong and powerful lyrics that women across the world identified with. Many of her songs became anthems for change and breakthrough; we’re all familiar with Respect and Sisters Are Doin’ It For Themselves and the powerful message that pervades these performances. 

While the some factions of the church may be mourning the loss of musicians who follow a different path, others are valuing the mission work that they are doing. The music business is one of the most uncharted industries when it comes to Christian missionaries. Aretha’s entry into this world meant the gospel was spread further. I’m not suggesting that all church musicians and artists should up and leave, more that the church should recognise their call and prophethood into an area that needs light and hope. Artists and musicians are called to carry the very heart of God into a world that needs help and this includes the entertainment industries. 

I know the church feels the need to protect creatives from sex, drugs and rock n roll, however in doing so, sometimes it stops people from fully fulfilling their calling. There needs to be an element of trust that God knows what he is doing. I’ve often been criticised for writing secular songs, however I do believe that this is what God has called me to do. One wonders if the church lets down artists, such as Aretha Franklin, by not supporting them more. Perhaps less stars would go off the rails if the church walked with them through their musical careers. I think what we can glean from Aretha’s life is that God used her powerfully and that her music touches the lives listeners around the world. Music is more than worship, some songs heal by the fact that we identify with the pain, others uplift when we feel down, or build community when we all sing together. Music has more than one role in life. 

Perhaps it is time for the church to let more creative people go and do what they do best and reap the harvest of music and art that comes from it. We’re not walking out of church, but walking into what God has called us to do.

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Recently in an interview Bono said something that is very close to my heart. It’s something that I have been quite passionate about for a long time. It’s a reason to get out of bed, a reason to song-write and create, it’s a reason to be the person we were made to be as artists… It’s no secret that Bono has criticised Christian artists who only produce worship music, and that his own musical and creative journey started in a worship band that eventually morphed into the internationally renown U2. However his stand point is refreshing and challenging, “we don’t have to please God in any other way than to be brutally honest,” he said. And that’s what I love. The fact that I can be brutally honest in my songwriting.

Bono’s thought process goes further than that though; just because an artist is a Christian doesn’t mean that they can only produce worship music. He goes on to say that “Creation screams God’s name. So you don’t have to stick a sign on every tree.” And I agree with him. I always think it’s sad when artists are pigeonholed with the label “Christian” as the genre immediately limits their scope of work. We don’t need to mention Jesus in everything we do, we carry the fragrance of Jesus with us so his presence is always in our work.

Our music might help someone… Over the years, I’ve been encouraged by many a song that wasn’t Christian because I connected with it some way. This is usually because I could empathise with the topic because I was going through the same life experience. Our songs don’t always have to rejoice over happy endings, some of the best selling pop songs over the decades have been sad, yet the music-buying public lap it up as they need something to help them through their difficult times.

I am not a Christian artist. I refuse to be. I’m an artist who happens to be a Christian. What’s the difference? Well although I write the occasional worship song for church, I don’t feel that worship songs are my calling. I don’t feel the need to mention Jesus in every song I write; I believe that my art should be influenced by faith and that it needs to go much further than the walls of the church building. Don’t get me wrong, there are plenty of people who are called to compose worship music for church gatherings, and if that is what God has called them to then that’s great, but for me it’s not the be all and end all.

This route into artistry is often lonely though; artists who don’t tow the party line and stick to producing worship material are often overlooked by the Christian public. Churches in the UK don’t tend to support artists whose work moves beyond the church walls. We need to release artists into their callings and let them create the works that God has designed for them to do. There are far more opportunities for people to meet Jesus if we are honest about life experiences and allow those experiences to help others. And how much more will we learn about God if we dare to explore further than the praise and worship genre? Some of my greatest experiences of God have come through secular lyrics, the process of songwriting or going to concert. So take Bono’s challenge and dare to go further than praise and worship song in everything you do. You never know you might help someone…

Quotes from an interview with Carol Kuruvilla

Helen sunDo you remember when Mike and the Mechanics sang Over My Shoulder? I used to sing along to that song in bedroom, standing on my bed, yelling into a hairbrush. I was eighteen at the time. Twenty one years on, nothing has changed, except now I repeat the same performance with my eight year daughter. One the sad things about the song is that it is full of regret and hankering after the past. I was driving to work the other day when this song came on the radio and it got me thinking the consequences of looking back when we should be concentrating on the future. At the destruction of Sodom and Gomorrah, Lot’s wife looked back and she turned into a pillar of salt. She was told not to, but a fleeting moment of curiosity ended her life. I don’t do regret, it’s a lens that distorts the reality of the future. It leads to nothing and makes us focus on our failures.

If we constantly have our eyes on the rear view mirror, we repeat the cycle of who we were and not what we could become. Time allows to move forward but never back. We are given a gift of moving  forward and it’s up to us to choose how we react. We can meet the future with hope and expectation or with fear and sadness.  Even when we pass through seasons that are not what we want, every day moves us closer to something much better… even when we don’t feel that way. When Alanis Morissette sang “the only way out is through”, she hit the nail on the head. Sometimes we have to grit our teeth and believe that there are better things on the other side of the season.

A few months ago I hit a wall with the whole music thing. Everything I had built up came crashing down and try as I might I could not rebuild it. Truth be told, I was too knackered and broken to fix it. Years of being a freelancer, performer, teacher, composer and everything else had worn me down. I kept looking in the rear view mirror and what I had lost and wondering whether there was any point continuing in music. But the law of life is that as something dies, something else is born and new shoots begin to sprout. Things are already moving on and I’m getting back some of the music opportunities that I lost a long time ago. I have opportunity to reinvent my music and in turn myself. Life constantly evolves and we should take every opportunity to grow and develop.

If there’s one thing I’ve learnt it’s don’t look back over your shoulder, face the future and reinvent yourself. Reinvent yourself

 

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It’s been an incredible musical journey for me over the last ten years. I’ve written, recorded, collaborated and taught – and as we move into 2013, the time is right for something new! Last year I returned to the studio with Sound Consultancy, the team behind artists like the Daughters of Davis and Philippa Hanna. The result is ‘Sirens and other Mysteries’, a brand-new six-track EP released this coming April. The team have really pushed me forwards, and helped me create what I believe is my best collection of songs yet!

BUT THE JOURNEY DOESN’T STOP THERE…

… Now we need to share these songs with the world, and that’s where you come in! I need your help to produce a music and promotional video that will carry an uplifting and inspirational message to a whole new audience: These are songs about life, faith and hope. I believe that God has called me to create music that is honest, open and realistic so that other people know that they are not alone in their struggles and successes. By branching out into visual media, we can help more people engage with music, life’s difficult questions and, of course, the Gospel.

In return for your pledges, I’m offering a whole range of rewards. As well as copies of my previous releases At Second Glance and The Sanctus Project, I am also offering vocal materclasses and your chance to appear in one of the videos. Remember, if we don’t reach our target we don’t get a penny. Any funds are greatly appreciated, so join us and help inspire, challenge and encourage through music!