Well here’s the song I didn’t expect to release: Tomorrow’s Brighter. During the last four months of lockdown, we’ve all needed some hope to get through this very strange and unexpected season. I think the lyrics of this song sum up that everyday we are indeed moving forward to the end of lockdown and a day nearer to the end of the virus. Something to think about as we slowly press ahead…

Three years ago I wrote this song quickly one evening so that I could try out a new piece of software. It seemed quite catchy and lent itself to harmonies, so I landed up using it for a singing workshop I was leading a few months later. I didn’t imagine relasing it as a single. However at the beginning of the lockdown, I found a an a cappella recording of the song and started playing around with it and voilà, a new song!

Welcome to the cartoon version of me! I wanted to do something different for the video, something with a lighter tone than I had used before. A cartoon seemed the obvious way forward and I even got to create a cartoon version of me. An official date will be set soon, but as usual, you are the first to hear the song and see the video!

The song is available on iTunes, Apple Music, Spotify, Amazon Music and many other places! Download the single here.

What do you do with a blank canvas? It’s been a long time since I started a painting without sketching the idea first, but this canvas has been calling out for a landscape scene, so I thought I’d just go for it. When I looked at the panoramic shape of the canvas I could see a sun setting over a flourishing hillside. I’ve always liked the idea that woodland has many colours throughout the seasons of the year, so the colour scheme came naturally.

There’s a freedom to being able to paint without sticking to a previous sketch. It’s also a little daunting as you realise that you don’t know where you’re going with it! I must admit that this approach meant that the painting took longer than anticipated, but eventually I got the result I was looking for. The longest part was choosing the colour scheme for the sun; after a few attempts I could see that it needed to be darker than the rest of the painting to get that feeling of “the sun going down”.

This painting sold before I even managed to advertise it! Probably the fastest selling piece for painting so far…

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So how many times in the last week have you thought “how will I ever get this done?” or “just give me a break” or “why are you so hard on me?”. Social media platforms show everyone’s perfect life with their perfect friends and family. But let’s be fair about this, most of what we see on social media is an edit of what it really happening in someone’s life. I think what gets me the most is the amount of judgement against each other’s life choices. We all do it from time to time without being aware of it. However, some people, through lack of understanding, can be quite condemning of situations that are different from their own. Our paths in life are all different and rightly so, we are unique, not one of us is the same, so how could we all walk the same path? 

If I’m totally honest, I became tired of other people’s expectations of me. We live in a society that can push motherhood towards perfection and disallows women to flourish outside of that role. Every women’s experience of motherhood is different and like a lot of women, single motherhood was never part of my plan, but it’s a thousand times better than the situation I was in before. We’ve seen the backlash to this movement in popular books such as “Why Mummy Drinks” by Gill Sims and the rise of social media stars such as Kristina Kuzmic, who celebrate their humanity by stating that it’s ok to not be a perfect mother. 

If anything, I wanted this song to point out that it’s ok to live our lives in a way that works for us. Being hard on other people doesn’t make them aspire to live differently, more over that they feel condemned by it. People thrive when they are loved and respected, not put down and judged. Positive attitudes bring hope to a situation, and encourage people to keep going when times are tough. And let’s face it, being a parent is never-ending hard work, full of challenges and rewards. 

So this song is a shout out to all the women making life happen. Those who work, parent, mentor, cook, clean, create, nurture, manage, plan, care and hold it all together for others. Those who rise to the challenge and and keep going no matter what. You rock!

You can download the mp3 from iTunes, Amazon and Bandcamp. Or listen on Spotify and Apple Music. Remember, every time you buy music from an independent artist, you’re contributing resources for them to make more music in the future.

Download the single here

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Where do the years go? Fifteen years ago on Saturday 5 June 2004, I released my first Album Conversations With The Heart. It seems like a lifetime ago now, but that album came into being by chance. I was studying for a music degree at the time and was writing bits and pieces in between that and music teaching. 

A friend of mine asked me to perform at New Eden Music Festival in Torquay in the summer of 2003 and after the performance I bumped into some old friends who were also recording their work. Those are lifetime friends, Peter and Debs Brazier. A quick conversation and a swap of contact details led to me sending Pete some home demos of my songs. Before I knew it was was standing in their dining room in Paignton, singing into a microphone. I faithfully trudged up and down from North London to Paignton with piano in the boot of my car for a weekend of recording many times over a period months until the project was finished. The whole project was made on the tiniest of budgets and a lot of tea from Debs! The artwork was created by Andrew Wainwright, a friend from music college.

The album launch took place on a very hot evening at St Margaret’s Church, Uxbridge and from memory we had about eighty people there. It wasn’t just me performing that night, Sheryl Anne Ashton also sang some solos and then joined me for some duets. It’s so great to be able to perform and make music with friends! 

And here I am these years on, still proudly an independent artist. I’ve had dalliances with record companies but I’ve never been made a sensible offer (just ridiculous ones!). Two albums, four EPs and lots of singles later. Still making music myself, still finding new ways to make it work. Here’s to the next fifteen years… 

What would you like to hear from me?

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Like most composers and arrangers, Rachael Forsyth has dabbled in arranging in many different styles and genres. From, pop to classical, education books and beginner pieces, Rachael has worked across the spectrum of music. A few years ago, she approached me with an idea to arrange some of my music for jazz big band. The English Jazz Orchestra joined Rachael for the project and brought in their strings section from their sister orchestra; the concert took place in March 2019 in North London.

Perhaps the most notable of Rachael’s arrangements was “Without You”.  Scored for brass, woodwind and the rhythm section, she departs from the original upbeat pop song to create a slow burning jazz ballad. The listener is drawn into the world of the 1930s jazz club through her handling of the arrangement. The rhythmic lilt creates a dream-like sound scape and this reinterpretation of the piece frames the melody and lyrics beautifully and space is created to highlight the brass interjections which punctuate the syncopation. The trumpet and saxophone solos weave around the melody and add fresh improvisation.

Forsyth’s ability to create live music is fully demonstrated in this piece. She understands how to reinterpret a piece music into a different genre without losing the essence of the song and how to move the audience and take them on a journey. “Without You” scratches the surface of what she can do as an arranger.

Learn more about Rachael’s music here.

Praise from Liz Mitchell…

“I’ve followed the English Jazz Orchestra for sometime as they originate from my old Uni stomping ground in North London – so was surprised to find a string section front and centre when I arrived at the concert.

The strings added a very Noir style to the existing warm big band sound, conjuring images of 1930s bars, with men who should know better getting wrapped around the little finger of some dangerous, distinctly dressed femme fatale. That’s the power of music as I’m sure Helen Sanderson-White is a lovely lady and not a femme fatale at all. The song ‘Without You’ especially stood out as HSW introduced the song (originally a modern pop song) that had been transformed by long time EJO collaborator Rachel Forsyth. Gone was the modern production, replaced with lush saxophones and a gorgeous trumpet solo.

It was a great evening with some really unexpected moments! Strings and a big band work really well together! Who knew?”

Liz Mitchell, Saxophonist.

I’ve waited a long time to write this blog; seven years to be precise! Seven long years. We all have a dreams of things that we would like to do and sometimes we get the opportunity to do them. The saddest thing is when one of those dreams is struggling and no matter what we do, it doesn’t survive and eventually dies. It can be a game changer; it affects your perspective on life and can make you retreat from other opportunities for fear of getting hurt.

In 2012, I was offered the opportunity to perform my songs with a jazz orchestra. It was a dream gig, I’d waited all my life for it and I was going to make it happen! The early discussions went well, and I was ever hopeful that the concert would take place within six months. However, over time the project began to disappear, no matter what I did I couldn’t make it work. The dream concert was long gone, and my music career seemed to be dead. I asked God to put it right and bring the project to fruition, but nothing happened. Things went from bad to worse, my business collapsed, my marriage failed and my living arrangements were insecure again. I never knew that life could go so low so fast. It all changed in an instant.

Last year, my colleague and long standing friend, Rachael Forsyth, contacted me and asked if she could pitch the project to an orchestra again and also do the jazz arrangements of my songs. My initial reaction was that it wasn’t sure that I wanted to go through all the disappointment again, however, that thought of “if I don’t try, I’ll never know” crept in and I decided to be brave and give it a go. Over a period of six months we plodded through arrangements and emails, and we wondered if it would ever come together. At one point it actually looked as though the whole thing would fall apart again and Rachael and I prepared ourselves that it might not happen.

But that’s not the way God works. He specialises in bringing dead things back to life. After seven years of waiting, wondering, praying and hoping, I will be performing with the English Jazz Orchestra on Thursday 14 March. I can’t believe it’s taken this long, but those prayers that I prayed seven years ago are finally being answered. Just because something looks dead doesn’t mean that it is. Sometimes God waits so things are better, the timing is right and our character has developed enough for us to deal with it. Sometimes he removes things that are in the way or that will destroy the dream, so that when the dream buds, it can flourish and grow without being choked. Although this seems strange, all those things happened for my good. That part of my life died so that better, greater things could come. Sometimes God allows these things to happen so that he can realign us with his plan for our lives and also his timing (which is never our timing!).

In another strange twist of events, I received an email today saying that a song I sent to a DJ three years ago, is now being played on his podcast this month. I’d actually forgotten that I sent it off to the radio show! It’s like the song was waiting for right moment.

So I hope you can join me for this amazing evening St Lukes Church in Enfield with the English Jazz Orchestra (ENJO)! Tickets are available here

Artists Have Big Mouths… And we have a responsibility to speak out about issues that concern others as well as ourselves. Art is about creating something beautiful, but sometimes it can also be about reflecting the ugliness, injustice, unfairness or the fractured nature of the world. An artist should represent the world as they see it. It’s about using our gifts to help others as well as entertaining. 

I’m always looking for new and creative ways to use art to promote causes or make a statement in the public arena. Back in May of this year, I was asked, along with a group of other artists, to create some art for a political protest that would highlight the differences in the gender pay gap for ministers in the Baptist Union. The project was presented to the Baptist Council at the beginning of November and was installed in secret before the meeting started so that no-one knew that it was on the agenda. The art installation was a response to a survey of salaries and benefits across the national ministerial spectrum.

All the artists were asked to create a leaf in any medium or style that represented one of the respondents from the survey: I was given the profile of a senior male minister on full benefits and salary. None of the artists knew what what the rest of the team were creating; this meant that each leaf was unique and distinct from the others, highlighting our individuality and the uniqueness the Lord has given each of us. The project was well received and provoked conversation about how to further the study and conversation of equality within ministry. Each member of the council got to take a leaf home with them to remind them of the discussion. 

It’s been an interesting and challenging project and not one that I would have have naturally gravitated to, but it’s allowed me to explore art in another arena and make art that speaks out for other people. Initially I found the protest element intimidating because of the possibility of rejection. However once I got past that I could see the true value of the project. It’s taken me outside of my comfort zone and made me think about other ways to use art writing, and music in society. Who knows where it will lead? I’ll keep protesting… the creative way.