Artists Have Big Mouths… And we have a responsibility to speak out about issues that concern others as well as ourselves. Art is about creating something beautiful, but sometimes it can also be about reflecting the ugliness, injustice, unfairness or the fractured nature of the world. An artist should represent the world as they see it. It’s about using our gifts to help others as well as entertaining.
I’m always looking for new and creative ways to use art to promote causes or make a statement in the public arena. Back in May of this year, I was asked, along with a group of other artists, to create some art for a political protest that would highlight the differences in the gender pay gap for ministers in the Baptist Union. The project was presented to the Baptist Council at the beginning of November and was installed in secret before the meeting started so that no-one knew that it was on the agenda. The art installation was a response to a survey of salaries and benefits across the national ministerial spectrum.
All the artists were asked to create a leaf in any medium or style that represented one of the respondents from the survey: I was given the profile of a senior male minister on full benefits and salary. None of the artists knew what what the rest of the team were creating; this meant that each leaf was unique and distinct from the others, highlighting our individuality and the uniqueness the Lord has given each of us. The project was well received and provoked conversation about how to further the study and conversation of equality within ministry. Each member of the council got to take a leaf home with them to remind them of the discussion.
It’s been an interesting and challenging project and not one that I would have have naturally gravitated to, but it’s allowed me to explore art in another arena and make art that speaks out for other people. Initially I found the protest element intimidating because of the possibility of rejection. However once I got past that I could see the true value of the project. It’s taken me outside of my comfort zone and made me think about other ways to use art writing, and music in society. Who knows where it will lead? I’ll keep protesting… the creative way.
All For Love is the last single commissioned by the Centre For Buckinghamshire Studies as part of The Great War Showcase that has been shown around the county throughout 2018 to mark the centenary of the end of the war. This song is based on the last words of Captain Francis Grenfell from Beaconsfield. He and his twin brother, Rivy both fought in World War One and were injured in combat. Rivy made it home, but sadly Francis died early on in the war.
On 25 May 1915, Francis endured a German chlorine gas attack and was also shot through the heart. His last words to his squadron were, “tell them I died happy, loving them all.” These words inspired this new song, they got me thinking about love and what that means. How far we will go for others and country? What will we sacrifice so that others can have freedom and peace? Would we die for freedom? Sobering thoughts that make me wonder if we take our freedom for granted.
Back in the autumn of 2015, I had an idea to research stories about special people from Buckinghamshire. I started out with good intentions, but as with all of these things, the twists and turns of life got in the way. At the beginning of this year, I began to think about what I might do with this project; the working title was Heroes of Buckinghamshire but it needed some good stories. Hadn’t got that far, when I noticed an advert from the Centre for Buckinghamshire Studies on Twitter, asking for local artists, musicians, poets etc if they would like to submit works for the Centre’s World War One Centenary Celebrations this year. Within 24 hours, I’d signed up to write and create new material for their events this year.
Are You Coming Home? After visiting the Centre and speaking to the archivists, I was touched by the fact the men who left this county to fight for our freedom, were just ordinary people. In fact, many of the letters I read between soldiers and their families indicated that they were ordinary people with extraordinary stories and courage. Before war, they did ordinary jobs, going about their business with little indication of what they may face or may be expected of them in the future. For those left behind, the uncertainty and longing was palpable through these letters; their eternal hope was admirable. And really that’s where this new song begins… I wanted to chart the fact these were real people, whose absence created a gapping hole the lives of the people and towns they left behind.
If you’re local to the Buckinghamshire area, you’ll notice in the lyrics, the line that states
“you rang the bells in the church by the pond”
I was talking about Haddenham at this point. It’s village between Aylesbury and Thame. If you get chance to visit the village, go and check out the church by the pond!
Don’t forget to download Are You Coming Home? here
So here’s a new song that I started writing back in 2014. I finally finished it a few weeks ago after pondering over verse two for four years! I’m hoping it will be recorded on a new project and will be creating a demo of it soon. Im very excited as my Helen’s Angels Patreons are the first to hear this song – this is a world premiere folks!
I decided to go one further than the archetypal love triangle and write a love square! It’s about the interplay and regret between two couples and the history that they share.
I hope you like the song – I’d love to hear you thoughts on it.
To listen, click here to join the Helen’s Angels Patreon community.
Want to listen to something new? For the rest of August you can download “Close That Door” for free! Just click here to listen and download the song.
So it’s Sunday evening and I’m at a loose end. What’s a girl to do? Yep that’s right, sing in her pyjamas. I decided to try out some simple vocal looping and write a short song as a test for the TC-Helicon VoiceLive Touch 2. Enjoy Tomorrow’s Brighter...
Words and music – copyright 2017 Helen Sanderson-White.
Well it seems a long time ago now, but last year I recorded some more vocals for Darren Hayman’s new project Thankful Villages Volume 2, the long awaited follow up album to Thankful Villages. You may remember that I sang on Darren’s Chants for Socialists album back in 2014 which was recorded at Kelmscott House in Hammersmith.
So…what is a thankful village? Well it’s a village where every soldier returned alive from World War I. This, when you think about the death toll during the first world war, is quite remarkable and to be celebrated. This is a very exciting project as it was supported by Arts Council England funding in a move to help preserve our history through music and art. In a world obsessed with filming everything on mobile phones and social media, history recorded through song and art seems quite refreshing.
Darren has collated well known, mysterious and often controversial stories from these UK hamlets, weaving a rich tapestry of history and intrigue from around our small island. He has been touring the UK over the the last few months, showcasing both the songs and also his beautiful artwork that was inspired by some of his visits to the thankful villages. I was lucky enough to be invited to sing the backing vocals on Wrigsley and I was also part of the choir on Arkholme. If you love British stories and folk music, check out this niche album! To hear Thankful Villages Volume 2 and download your copy, click here.
When I woke up yesterday, it was just a normal day. I got the kids ready for school, dropped them off and then drove to work. Work followed by tea, homework, baths, bedtime, piano teaching and THEN… by the end of the day I had released a new song. Yes that’s right, I just randomly released a single spontaneously, on a whim. That’s one of the joys of being an independent artist (believe me there aren’t many, but that is definitely a good thing).
Over the last two years, people have asked me to release some of my demos and live music so that they can hear how the process works. It’s funny, as artists, we often think that people always want the finished product; however, it seems that people like to to see what goes on behind the scenes. There’s something edgy and exciting about hearing a rough demo or a live performance. You can feel the energy and emotion that the writer originally intended, and hear how the song developed. Often the demo sounds vastly different than the actual song that is finally released. The reaction to Worn Out Shoes, a song I wrote with Adam Overton, was overwhelming. Despite the rawness of this recording, (I laugh in it and Adam apologises!), people went mad over it.
With this in mind, I’ve decided to release an EP called Sketchbook:The Demos which will be released later this year. The first single from this project is What Am I Meant To Do With This Love? You may remember that I recorded a video blog about this song in November 2015; it took me ten and a half years to write this song! Sounds weird but in artistic terms that’s normal. The amount of time and maturity needed to process the topic and create something you’re proud of can be a long event.
Releasing this single is a real kick up the arse for me. In March last year, I announced that I was pulling out of the music industry due to the fact that people stopped sodding well paying me. As romantic as it sounds, teaching music and making music for free ain’t gonna to happen: I have two kids and a mortgage. I have managed to partially to stay in the music on a part-time basis, however the threats of non-payment continue and recently an organisation cut my pay by 20 per cent and backdated it by four months. The arts are in big trouble. Only today I had a text from a friend in the arts industry to say that she was made redundant on the spot just two days before.
I’ve spent decades trying to make good music. There were times where I felt that I had sold my soul to do that. As soon as organisations become involved with art, you lose your baby in both good and bad ways. The good being that many hands can make a song or the bad way, can mean that your music gets wrecked. I couldn’t handle being told what to write about anymore. I’ve never been able to fit into the traditional mould of “Christian Artist”, I consider myself to be an artist who happens to be a Christian. That’s not to say that my faith doesn’t inform and influence my art, however I feel it’s my calling to write on wider topics and explore what God wants to say. So what I’m very politely saying is… this is me. Deal with it!